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Films at RAPS

About these Films

In late 2006-early 2007, I ran into Scott. Shortly after meeting Scott, he started the Brunswick Theatre in the Toronto Annex. The theatre sat about 100 people and could be rented for showing of other films. At the same time, CanStage Theatre in Toronto, cancalled the staging of "Rachel Corrie". This was not the first time in North America that a staging of Rachel Corrie had been cancelled. I was miffed and decided that I wanted to screen the movie. I approached Scott and for the next 8 months I was invovlved in screening films at the Brunswick Theatre that needed to be seen.

After most screenings, folks would wonder where they might get a copy, cause they had never seen them for sale in the stores, so there were a need for easy access to this information. This page is the answer. You can purchase any of the titles listed below. Click on the Buy button. Fill out the online information and I will mail out a copy as soon as the payment has been confirmed through paypal.

Arna's Children CoverArna's Children

About the film

Arna Mer Khamis was a legendary activist against the Israeli Occupation. Born into a Jewish family, she married a Palestinian Arab and spent her life campaigning for justice and human rights in her homeland. Arna founded an alternative education system for Palestinian children whose lives had been disrupted by Israeli occupation. In the Jenin refugee camp, Arna opened a theatre group where she taught the children to express anger, bitterness and fear through acting and art. The children slowly grew to trust and to love Arna: "She's like my mother," says one child. "She helps us. She saved us from the streets." Arna's son, Juliano Mer Khamis, was a director at the theater group and filmed his mother and the children rehearsing and performing over a six year period. When Arna died of cancer in 1995, the theater group struggled to continue for another two years but ultimately did not survive.

Five years after Arna's death, Juliano, now one of the region's leading actors, returns to the camp to discover what happened to "Arna's Children." Shifting back and forth in time, Mer Khamis's film juxtaposes the sweet-faced young boys with the militants and martyrs they become. "Arna's Children" reveals the tragedy and horror of young lives trapped by the circumstances of occupation.

Juliano Mer Khamis and Danniel Danniel
2003
84 minutes

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The Iron Wall CoverThe Iron Wall

About the film

In 1923 Vladimir Jabotinsky, leading intellectual of the Zionist movement and father of the right wing of that movement, wrote:

"Zionist colonization must either stop, or else proceed regardless of the native population. Which means that it can proceed and develop only under the protection of a power that is independent of the native population - behind an IRON WALL, which the native population cannot breach."

From that day these words became the official and unspoken policy of the Zionist movement and later the state of Israel. Settlements were used from the beginning to create a Zionist foothold in Palestine.

After 1967 and the occupation of the West Bank and Gaza, the aim of the settlement movement became clear - create facts on the ground and make the creation of a Palestinian state impossible. Thirty nine years of occupation and the policy started showing results. There are now more than 200 settlements and outposts scattered throughout the West Bank blocking the geographic possibility of a contiguous Palestinian territory.

The Iron Wall documentary exposes this phenomenon and follows the timeline, size, population of the settlements, and its impact on the peace process. This film also touches on the latest project to make the settlements a permanent fact on the ground - the wall that Israel is building in the West Bank and its impact on the Palestinian's peoples.

Settlements and related infrastructures are impacting every aspect of life for all Palestinians from land confiscation, theft of natural resources, confiscation of the basic human rights, creation of an apartheid-like system, to the devastating impact in regards to the future of the region and the prospect of the peace process.

Palestinians and Israelis began the peace process based on a very simple principle: land for peace. Settlements destroy that principle and create a land with no peace.

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Palestine Is Still the Issue - DVD Cover

Occupation 101

About the Film

A thought-provoking and powerful documentary film on the current and historical root causes of the Israeli-Palestinian conflict. Unlike any other film ever produced on the conflict -- 'Occupation 101' presents a comprehensive analysis of the facts and hidden truths surrounding the never ending controversy and dispels many of its long-perceived myths and misconceptions.

The film also details life under Israeli military rule, the role of the United States in the conflict, and the major obstacles that stand in the way of a lasting and viable peace. The roots of the conflict are explained through first-hand on-the-ground experiences from leading Middle East scholars, peace activists, journalists, religious leaders and humanitarian workers whose voices have too often been suppressed in American media outlets.

The film covers a wide range of topics -- which include -- the first wave of Jewish immigration from Europe in the 1880's, the 1920 tensions, the 1948 war, the 1967 war, the first Intifada of 1987, the Oslo Peace Process, Settlement expansion, the role of the United States Government, the second Intifada of 2000, the separation barrier and the Israeli withdrawal from Gaza, as well as many heart wrenching testimonials from victims of this tragedy.

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Palestine Is Still the Issue - DVD Cover

Palestine Is Still the Issue

About the Film

In 1977, the award-winning journalist and film-maker, John Pilger, made a documentary called Palestine Is Still The Issue. He told how almost a million Palestinians had been forced off their land in 1948, and again in 1967. In this in-depth documentary, he has returned to the West Bank of the Jordan and Gaza, and to Israel, to ask why the Palestinians, whose right of return was affirmed by the United Nations more than half a century ago, are still caught in a terrible limbo -- refugees in their own land, controlled by Israel in the longest military occupation in modern times.

"The fate and struggle of the Palestinians," says Pilger, "are not just critical to the overdue recognition of their basic human rights, but are also central to whether the region, and the wider world, are plunged into war. Israel is now one of the biggest military powers in the world. While nothing changes, the dangers become greater. This is a film about a nation of people, traumatized, humiliated and yet resilient. In trying to liberate less than a quarter of historic Palestine, they have had no army, no air force, and no powerful friends -- and have fought back with slingshots and now with the terrorism of the suicide bombers."

In a series of extraordinary interviews with both Palestinians and Israelis, John Pilger weaves together the issue of Palestine. He speaks to the families of suicide bombers and their victims; he sees the humiliation of Palestinians imposed on them at myriad checkpoints and with a permit system not dissimilar to apartheid South Africa's infamous pass laws. He goes into the refugee camps and meets children who, he says, "no longer dream like other children, or if they do, it is about death." Continually asking for the solution, John Pilger says it is time to bring justice, as well as peace, to Palestine.

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Qallunaat Movie Cover

Qallunaat
Why White People Are Funny

About the Film

Funny? What's so funny about white people, otherwise known as Qallunaat to the Inuit? Well, among other curious behaviours, Qallunaat ritualistically greet each other with inane salutations, repress natural bodily functions, complain a lot about being cold, and seem to want to dominate the world.

This docucomedy is a collaboration between filmmaker Mark Sandiford and Inuit writer and satirist, Zebedee Nungak. Zebedee is CEO and head researcher of the mythical Qallunaat Studies Institute (QSI). According to Nungak, "Qallunaat ought to be the object of some kind of study by other cultures. The more I thought about the way they have studied us over the years it occured to me, why don't we study them?"

Vist the Beachwalker Films Inc. website for more information.

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Qallunaat Movie Cover

Reel Bad Arabs: How Hollywood Vilifies a People

About the Film

This groundbreaking documentary dissects a slanderous aspect of cinematic history that has run virtually unchallenged from the earliest days of silent film to today's biggest Hollywood blockbusters. Featuring acclaimed author Dr. Jack Shaheen, the film explores a long line of degrading images of Arabs--from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists"--along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today. Shaheen shows how the persistence of these images over time has served to naturalize prejudicial attitudes toward Arabs and Arab culture, in the process reinforcing a narrow view of individual Arabs and the effects of specific US domestic and internationl policies on their lives. By inspiring critical thinking about the social, political, and basic human consequences of leaving these Hollywood caricatures unexamined, the film challenges viewers to recognize the urgent need for counter-narratives that do justice to the diversity and humanity of Arab people and the reality and richness of Arab history and culture.

Featuring Dr. Jack Shaheen
2006
50 minutes

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